WOOOO so I just finished my novel. So pumped right now I could probably eat a live cactus. But I won't. So here's a celebratory post! I'll post twice today because why not. So yeah. Enjoy!
-CD
Chapter 7
The apartment feels a lot warmer
with Froid gone. I wish that could be a positive thing.
In contrast to the draft that Froid
cast on me, I have Callahan snoring and snorting in a puddle of sweat. I think
it’s disgusting, but it makes me feel that much less bad about killing him off.
Callahan is just a waste of writing
at this point. I can’t gain any more from him, seeing that I’ve gotten some
dominion over Froid, as well as the even bigger prize. I could just send
Callahan back on his way home, assuring him that he’s no longer needed, but his
exposure to the two of them is a liability. The more time he spends around
them, the less I’m able to control him. I don’t know why, but I blame my
brother for it.
And so now I must kill Callahan
Grossherz in a way that ties in well with the narrative and minimize the damage
to the progress I’ve made with my other two characters.
He awakes with a start as if he
knows what I’m thinking about, but he has nothing to fear. I won’t kill him off
now. He may be suspicious, but he and I will be going and visiting Froid and
Samuel a lot. We’ll have to occupy the same space then, and I know if one day I
randomly appear without Callahan that Froid, and Samuel to a lesser extent,
will be suspicious.
“Callahan, I’m thinking of going
over to the hospital today. You should come too.”
“Do you know if her parents or
yours will be coming at all?”
I chuckle. Our parents don’t care.
To them they have two genius sons that are geniuses in such different ways. They
probably assume Samuel just planned this whole thing out because he can.
Froid’s contacted the hospital yesterday after getting called, but only to make
sure that she was alive and that this experience was romantic enough to instill
a desire to do poetry again. When they found out the Coldridge’s were with her
they immediately bequeathed the responsibility of their daughter to me. I wish
I could kill them off too, but I’ve never met them. I wouldn’t even know how
to.
The two of us get ready slowly as
if we have nothing to do today. Callahan may not, but I certainly do. I have to
salvage Froid and Samuel, plan how to kill Callahan off, and do it all
convincingly. It’s hard though now because I can’t see Callahan at all. He’s as
blank as Froid and Samuel except for those crucial moments when they act human.
On our way to the hospital Callahan
decides to be obnoxious. He fidgets with everything: the temperature control,
the door lock, the window roller. It gravitates towards me eventually as he
starts looking for radio stations. He doesn’t even give them a chance. He keeps
passing over and over them.
“Callahan, anything you have in
mind that you want to listen to?”
Callahan doesn’t answer, too
engrossed in fulfilling something beyond my comprehension. But not beyond my
annoyance.
“Can you please stop playing with
the radio? Let’s just keep it here, on NPR.”
Callahan sits back for a little,
but within a minute starts moving the dial around aimlessly.
I go blindly into his mind.
Callahan,
why the hell are you doing this? Just to irritate him? What cause?
The faux monologue should at least
jar him, make him hesitate, confuse him. But he carries on as if he heard
nothing.
He could easily suppress a thought.
He can’t suppress so easily a command.
“Callahan stops playing with the
dial. As suddenly as he starts he assumes a placid position with his arms
folded in his lap.”
Except that doesn’t happen. He
keeps going. We arrive at the hospital.
Froid is about the same: hostile
towards Callahan and submissive towards me. She relaxes every time Callahan
leaves the room, as if he’s the perfect example of a missed opportunity.
This time Callahan has left to use
the bathroom. He’s been doing that a lot. I think he just wants the excuse to
not look at Froid. Froid smiles at me weakly, but it’s as vibrant a smile as
I’ve seen from her.
“Are you feeling better?” I ask
her.
“With you around, yes.”
I pat her shoulder. “Want me to get
you any food? I know the menu selection here is nothing special, but I think
you can make do.”
“I want to leave here, now. With
you,” she says immediately. She hardly let me finish. “I want to leave all this
behind. Leave Callahan and… Samuel here. Poetry, my parents. Let everyone think
I’m dead or crazy. Except you. You can keep a secret can’t you?”
As soon as she finishes Callahan
enters the room again with a bag of Cheetos. He deposits the orange film over
his fingertips and lips, and the smell wafts over towards us. Froid’s mood
drastically changes and she holds him responsible again. With enough animosity
to probably just kill him by herself, she backs him into the corner towards the
door. Her anger is so strong that I can look a bit into her mind. I can feel
the tension in her muscles. I can almost even read her explicit thoughts.
You. Die. If you’re so much about living why don’t I just kill you myself?
You. Die. If you’re so much about living why don’t I just kill you myself?
I break the silence. “I’m going to
go check on Samuel. Callahan, why don’t you stay here with Froid?”
I will write Froid an entire novel
if I come back to a dead Callahan.
Samuel is asleep, as I left him. He
looks so awkward when he’s sleeping and always has. However, he seems to
subconsciously relax when I enter the room with a knock. He still doesn’t wake,
but his face smoothes out. He stops moving around.
“I’m here, Samuel.” I whisper.
I swear that I see him smile in his
sleep.
When I arrive back to Froid’s room
Callahan is gone. I ask Froid where he went and she shrugs her shoulders. I
check around the room just to make sure she really didn’t kill him and toss his
body somewhere.
When the room is satisfyingly clear
I focus my attention again on Froid. She smiles at me like she was meant to.
The moment is truncated when Samuel
suddenly appears in the room.
“RUN!” he yells at her and grabs
her hand. She grabs mine as well and we’re suddenly sprinting down the halls,
bumping into nurses and patients, a three-person strand of chaos.
The entrance is guarded, but in my abrupt
confusion I wish them away. The way is clear and we all end up outside, looking
at each other.
“What’s the meaning of this,
Samuel?” I ask my brother.
He looks at me blankly before he
grabs Froid’s arm.
“Leave us for today.” And then they
walk back inside.
Chapter
8
The lobby of the hospital was still
empty when Samuel and Froid reentered. The two of them made their way across
the hospital before leaving through a door on the other side.
Callahan was waiting for them, as
planned.
“Took you long enough.”
Samuel scoffed at him. “Let us see
you be an actor for once, Athlete.”
“Guys, as much as I love watching
you two get on each other’s nerves, we have a story to write!” Froid
interjected as the two cut each other into shreds in their minds.
“Seriously,” she punctuated. Samuel broke focus and almost collapsed
to the ground. “Let’s leave before Luke figures out what we’re doing!”
“We need not worry about that,”
replied Samuel. “His hubris has blinded him enough to no longer see us. This is
the effect of feeding him.”
The three walked together along the
street, Samuel and Froid still sheathed in hospital gowns. They looked
conspicuous enough. If Luke had any desire to find them, all he would have to
do would be to look for two enamored poets connected through their hands and
lilting along the sidewalk like bed sheets. Callahan’s lumbering figure was
also obvious.
By the time they arrived to Samuel’s
hotel it was late in the afternoon. None of them had money for cab fare, a
tedious snare in their otherwise seamless planning. Callahan was the most
exhausted of the three, much to the surprise of everyone.
“Can you guys please enlighten me on this plan?” he begged between breaths. “Other
than sneaking out with you guys at the hospital, I have no idea what’s going
on.”
Samuel looked at Callahan with
strong intent. Froid at first did not know what he was doing, but once Callahan
reciprocated with a stronger retort, she saw there was nothing to fear.
“We must write,” Samuel said.
Callahan was still confused. “How
is this supposed to…”
“If we write, we’re challenging
Luke as the narrator. Once we gain narration of the story, all this can be
behind us.”
“Seriously, Samuel,” Callahan
began.
“Seriously,” Samuel echoed with a wrinkled brow and nose.
Callahan rolled his eyes and
resumed. “You should have just murdered your brother in your sleep or
something. Could have saved us a hell of a lot of problems.”
“It does not matter to me what my
brother does until it affects my poetry, Athlete,” snapped Samuel.
“Yeah, so then why are you helping
us?”
“Do you care?”
“How do we know that you’re not
working with him?”
As soon as Callahan said that, its
ridiculousness registered in his mind. If there were anyone who would be
helping Luke, conscious or not, it would be him.
The spat diffused, and Froid
brought in some paper.
“I think we’re going to need more
paper,” she faltered.
“As long as our handwritings are
not first-grade, we shall be fine.”
Callahan knew the insult was for
him, but he let it pass.
“How… do we start?” Callahan asked.
“And like… who writes?”
“We all write,” replied Froid.
“There are some ground rules, though. Just to keep the narrative consistent.
Samuel and I started the list. We can add more as we progress.”
“First: no adverbs ending in –ly.”
“WHAT?!”
“Athlete, that is my one
stipulation.”
Callahan groaned.
“Callahan, Luke uses a lot of
adverbs in his narrative. We’re going to have to forgo their use.”
Callahan conceded.
“Second,” Samuel began again. “No
contractions.”
“This is sure sounding a lot like
your style, Coldridge,” observed Callahan.
“Contrast.”
“Finally,” said Froid.
“We will use verse.”
“Hell no, Coldridge!”
“Blank verse.”
“You know how damn hard that’s
going to be?”
“Contrast.”
“Coldridge, we don’t have time!”
“Samuel, I’m going to have to agree
with Callahan on this one. I don’t think we have time for putting it in verse
like that. Even if-”
“We cannot argue. If our emotions
are high my brother may find us.”
The three of them looked at each
other for a long while.
“And we will do blank verse.”
“NO!”
“Callahan, please lower your-”
“Athlete.”
“How dare you!”
“Adverb.”
Froid
gasped. Samuel had not called someone an adverb is a long time. The last time
he called someone one was to her.
“You guys came up with the first
two without me. Why can’t I have my own?”
“Very well. Samuel, can we just let
him have his way with this one?”
Samuel was the least cooperative
person on the planet. He would rather betray them to Luke than compromise.
But then he thought about his
poetry. And he thought about Froid.
At last Samuel relented. “But
Athlete, bear in mind. I am not doing this for your sake.”
The three began to write. They took
turns, with Froid and Samuel writing about their first meeting in Seattle at
the Suzzallo Reading Room, meeting again in secret, and their executed plan of
getting rid of Luke. Samuel added the Christmas story from when Luke vowed to
hate his younger brother. Froid wrote her short first encounter with Samuel. And
then together they wrote about when Callahan met Froid.
“Writing,” she replied, still not
looking at him but rather arbitrarily organizing a stack of papers in her
folder.
Callahan laughed. Small talk did
not get him into this college. “Oh, but of course! I love Coldridge’s poetry so much. It’s so… free. I did my senior
project in English on ?y(not)ou! Such
a great book. I’m so happy he publishes his poetry. I hear he’s a real
introvert. But I guess that’s okay, because he’s one of the greatest poets
who’s ever lived! I guess he can do whatever he wants, as long as he keeps
writing like that. He’s like another e.e. cummings, no, wait, better than e.e. cummings!”
He did not know that Froid had not
been listening to anything he had said after “oh.” Samuel had entered the room.
Samuel did not look at her at all
while he crossed their sight. His mind was writing a poem. He tapped his
leather briefcase with his fingers, coming up with a polyrhythm for a meter,
percussing sharper when he broke his rhythm with misplaced orthography, a
parenthetical. Everything was at his command. He made his own language through
the perversion of another. Word order perversion. Grammatical category
perversion. Orthography perversion. A few called it sacrilegious. Everyone else
called it genius.
As he passed Froid he stopped and
gently tapped her four times on the left shoulder. Tum tum ta-tum. That meant
“coffee at-three”.
Callahan did not know this. He
didn’t even know that Froid was completely ignoring him. To him the mere vision
of Froid’s profile, eyes fixated on something in the distance, her angular
features in the foreground, was lovely enough. Silence was lovely enough.
Callahan learned many things that
class period. He learned that Froid’s name was Froid when the professor called
on her. He learned that Froid wrote minimalistic poetry. He learned that Froid
had a nervous twitch whenever Samuel would tap his briefcase as if she were
expected to know the meaning of every iteration that came from his relentless
percussion.
“So, do you wanna grab a bite to-”
Froid got up and walked over
towards Samuel, and the two made their way out of the room together, Samuel
grabbing Froid’s needle-like fingers and toting her along.
Thus, Callahan learned that Froid was dating Samuel.
“That looks good,” Froid said as Callahan wrote the final
sentence. He did not like this back-story. He wrote his own observations with
Froid and Samuel supplying details that he did not know at the time. The effect
was omniscient enough.
Callahan’s
fingers began to hurt. He complained about them at length over his bowl of
steamed bok choy. Samuel had ordered them all bowls on his own volition, and
while Froid accepted her meal with minimal gratitude, Callahan had done nothing
but balk. At one point he smeared some of his bok choy over a passage of a poem
of Samuel’s, and Samuel was tempted to seek retribution again for Callahan’s
assaults.
“My
fingers feel like this bok choy, Coldridge!”
“Athlete,
you flatter my strength.”
Callahan
growled at him. Froid got to work on the Thanksgiving where the two of them met
her parents.
Mallory
Froid enjoyed emulating the rug in the living room. She even made her husband
match her outfit, so that they could sit on the sofa and “tie the room
together.” It was their one source of pride. Even Caracolle could bring
something of more value to fruition.
“Callahan,
please let me write this alone. You weren’t there.”
“Sorry.
Just want to give Caracolle a little credit…”
“Please.
She doesn’t need any.”
“Nor
do you, Athlete.”
“Shut
up! I just want a balanced portrayal of Caracolle.”
“She’s
not even central to this story! Just let me do what I do.”
“But
then there’s gonna be some inconsistency.”
“Callahan,
what do you think Luke’s opinion was of Caracolle? Do you think he was gushing
over her vapidity? He wasn’t. I’m amazed that you have such a high opinion of
her given how he probably described her to you.”
“Fine,
Froid. Whatever. Just don’t write about Caracolle at all in this scene.”
“I’ll
try not to. She might appear, though.”
“And
you do not, Athlete.”
“And
now I have to document this
conversation, Callahan.”
“Sorry.”
“No,
you’re not.”
Mallory
had an incumbent camera that was used for documenting the holiday parties in
all of its grandeur or lack thereof. Froid hated pictures, and this was perhaps
why. Every guest who walked through the door was condemned to a candid to be
forever preserved in a scrapbook of the day. This was why Froid insisted that
she and Samuel arrive late. The fewer pictures of the two of them, the better.
Minutes
before dinner was served Froid and Samuel entered. While their exposure to the
camera was minimized, the debt was compensated for when they did appear. Scores
of photos were taken in rapid succession, not for the sake of preservation of
memory but just for quantity of Samuel to be forever under the coffee table in
the living room.
Samuel
and Froid staggered over to the table, blinded with annoyance and a little by
the camera. Samuel was not fond of eating, nor was he fond of pictures, nor was
he fond of those who seemed to live for nothing except to gush about him.
He
pondered Froid’s parents that way. The moment he arrived they ceased all
conversation that was irrelevant to him.
“Mr.
Coldridge, please tell us! Have you
been writing any more for publication?” Mallory began. She did not wait for his
reply. “Ham and I just love all the volumes
you’ve done of y(not)ou. Just so
beautiful. You have such a unique pride of being an artist. They should publish
your work everywhere, make it mandatory to read! If everyone read it there
would be so many more artists in the world, and they’d all work to make our
society so much more civilized!”
They
had misinterpreted Samuel’s poetry in the most tragic way possible.
This
conversation continued in this route for the rest of the meal. Samuel did not
even speak. Froid documented the conversation in her mind, sensing it would be
useful in the future for reminding herself why she hated her parents so much.
The rest of the guests at the dinner table were either enamored by Samuel’s mere
presence or bored because they did not know who he was. Caracolle disappeared
somewhere through dinner, and Froid wished she had done the same thing.
After
gratuitous untraditional Thanksgiving fare, of which Samuel only ate the kelp
because it looked like bok choy, Mallory and Hamline proceeded with their
attempts to woo Samuel. They were too pretentious to realize that by their own
grave misunderstanding they had lost him in spectacular fashion. The first
thing they started out with was a discussion of poets.
“Now,
who do you like the most of the postmodern poets, Mr. Coldridge?” asked
Hamline. “I’ve read everywhere that you’ve been compared to e.e. cummings, and
boy, you could’ve taught him a lesson or two with structure. Wow, Cummings was
the best, wasn’t he?”
Samuel
hated e.e. cummings.
“Or,
or maybe,” mused Mallory, “You like someone more structured like Tennyson? Or
Wordsworth? I read a very fascinating article the other day by a Rhodes scholar
who’s a huge fan of your work, and he made a very convincing argument that you
wrote your poem ‘wetrock’ as a reactionary piece to ‘The Daffodils.’ Is that
true? Oh, you don’t have to answer that right away, it might just spoil the fun
of analysis!”
Samuel
knew which Rhodes scholar wrote the article. It was Quentin Hoakes, Quentin the
publisher. He hated Quentin Hoakes. He also hated British poets.
“Can
I ask, Mr. Coldridge, if it’s okay to-”
“Samuel,”
Samuel said. It was the first time he had spoken.
“Oh,
of course! We can drop the silly titles, can’t we Mallory?”
“Certainly, for your sake!”
Samuel
hated these people.
“Anyway,
Samuel,” Hamline giggled at calling him by his given name for whatever reason,
“Which poet… inspired you to do… poetry? Was there a muse? Was there not a
muse? You don’t have to answer us if it’s personal.”
“Gray’s Anatomy. And Robert Frost.”
The
two were shocked. “Gray’s Anatomy as
in… the medical book thing? That’s so… different. But more power to you to find
poetry even in the most unpoetic of places!”
They
had nothing good to say about Robert Frost. Loving Frostian verse was too mainstream
for them. Having such a hackneyed idol for a poet like Samuel was inexcusable
in their eyes. Samuel of course did not care. To his relief it ended that topic
of conversation.
Froid
tried to sneak Samuel into her room. Neither of them could leave without
inciting hundreds of useless pictures and the pathetic blubbering of her
parents as they begged them not to go before kumquat pie. She was not quite
sure what they would do there, but it would involve sitting in silence or
reading Froid’s much-abused copy of North
of Boston.
“Oh,
where are you two running off to now? Come back please, I don’t want any
grandchildren yet!” called Mallory. They were spotted going up the stairs. Before
they even had the chance to make their way back down Mallory sprinted over to
them.
“Samuel,
you haven’t seen our collection of Froidian poetry, haven’t you?” She laughed
at her own pun. It was funny for the adults. Froid found it insulting.
“Have
I choice?” Samuel whispered to Froid.
Froid
tugged him along behind her mother. “If we behave, maybe they’ll let us go
before dessert,” she whispered back.
“Ah,
here is Ambrosia’s very first poem!” She beamed at the shadowbox. The poem was
faded and illegible to begin with. It now looked like a blank piece of paper.
Mallory would even think that to be some sort of art.
“Isn’t
it beautiful, Samuel? What genius she had even as a small child!”
Froid
hated that poem. It was not even supposed to be a poem. She had practiced
spelling random words while finger painting.
“And
here we have a poem that Ambrosia wrote in middle school. Such a dark time for
all of us, isn’t it?”
Samuel
recognized this poem. It was untitled but the first lines were “find out/ why
light seeps/ and sleeps.” Froid had submitted it during their workshop. Samuel
did not realize it was that old. Froid gave him a sheepish look when he gave
her a subtle facial confrontation.
“I
was lazy that week,” she admitted. Samuel smiled at her. That class was as big
a waste of time for him as it was for her.
“And
this one, ooh, this one is my personal favorite!” Mallory ushered them over to
another poem that was put up a few weeks ago. It was called “perfect still.”
Samuel recognized that one the most. That one was also submitted for workshop.
He knew that poem the best out of all of them.
“I
shall write for that poem.”
“But
Samuel, I have it all set up!”
“It is important for me.”
“It is important for me.”
“But
I’m the one that wrote it!”
“I
must write it. I will write about the poetry class too.”
Froid
was too tired of writing to argue with Samuel. She tossed her hands in the air
and sat down. Samuel sat down next to her.
“Aren’t
you going to write it now?”
“Later.”
“Why?”
“You
shall see.”
“What
are we going to do with all of this narrative?”
“Put
it at the beginning.”
And
then, in the middle of Luke’s narratives, Samuel put the story of when he saw
Froid at the poetry reading.
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