This is the freshest you will ever get a poem. I did my seasonal outside hand-written poem, and this was finished at 1:31. I then walked back to my room.
Marvel
It is a marvel to be a leaf on a tree
In February. The distinction of survival,
To be bound to your mother like a child,
To be in salvation, hovering over your self-same sea.
That all could be enough for me,
Even if the wind is mild,
The definition of harsh defiled.
The elements are not your rival.
I cannot say the same about the plumes
Of my heart. They wither under the frost
Detached from the skin. This makes decay.
The lanky grass between the stones blooms
Because it opportunizes when a breeze grooms
The snow. It is also where it's meant to stay:
In the presence of winter gray.
And I feel so lost.
Unpublished Material, ©2012 Cali Digre
Showing posts with label leaves. Show all posts
Showing posts with label leaves. Show all posts
Friday, February 10, 2012
Tuesday, September 27, 2011
List Poem Exercise
This was an exercise due in class for today. I wasn't a huge fan of it, but I've been so busy that I decided to post it. We were supposed to use repetition effectively. I decided I liked to write about fall.
The leaves sleeping on the pine branches,
The leaves resting their ardent oranges and reds,
The leaves reaching their fingers to one another,
The leaves tumbling when the wind tickles them.
The breezes meandering through the thicket, like
A creek suspended by needles. The breezes picking up
The fire from the grass, joyfully, to celebrate the end
Of an epoch only captured by green. The breezes
Interlocking, changing course with
The breezes that never caress the ground.
This matted earth, partially wrangled from wear,
This matted earth, nearly soiled from the stale,
This matted earth, completely close to the past seasons.
What was August? Could anyone remember?
What was the heat like? Is the lawn still bleached?
What was of the solstice storm? What architecture was lost?
This deconstruction is natural. Time for us to observe
This deconstruction and acknowledge the skeletons
This deconstruction makes of everything. Forever,
This deconstruction will be prompt, it will be needed.
Unpublished Material, ©2011 Cali Digre
The leaves sleeping on the pine branches,
The leaves resting their ardent oranges and reds,
The leaves reaching their fingers to one another,
The leaves tumbling when the wind tickles them.
The breezes meandering through the thicket, like
A creek suspended by needles. The breezes picking up
The fire from the grass, joyfully, to celebrate the end
Of an epoch only captured by green. The breezes
Interlocking, changing course with
The breezes that never caress the ground.
This matted earth, partially wrangled from wear,
This matted earth, nearly soiled from the stale,
This matted earth, completely close to the past seasons.
What was August? Could anyone remember?
What was the heat like? Is the lawn still bleached?
What was of the solstice storm? What architecture was lost?
This deconstruction is natural. Time for us to observe
This deconstruction and acknowledge the skeletons
This deconstruction makes of everything. Forever,
This deconstruction will be prompt, it will be needed.
Unpublished Material, ©2011 Cali Digre
Tuesday, March 8, 2011
CRAZY WEEK
So... finals are just around the corner and I have been up to my throat in work. Friday will be an easier day to post, so I will probably post two poems to atone for this. But for now, here is a poem I wrote in the summer the morning after I graduated. I had been up all night so I figured I might as well watch the sunrise. That precipitated two poems. This is the first one. Maybe I'll post part two later. Enjoy!
~CD
Parables of Dawn (Part I) (June 9, 2010)
The truth is gold, but not in touch,
For all the leaves are painted such.
Their beauty is not such a thing
That calls for trite perfection.
Rather, in the clear reflection,
Perfect sight of all their flaws,
Thought-birds ‘round my iris fling,
Mumbling all about the laws.
And yet the sun illuminates
These concrete little flutter-fates,
So that I see their cellulose
In all their mold and wear.
I ask, “What leaves did once hang there
Before the breeze whisked them apart,
In conduct less than grandiose,
With little whim, and little heart?”
What matters is not where they lie
But how they do bask in the sky,
Whirling by the eyes of Gold.
Their shadows crawl along the grass,
Though they themselves don’t ever pass
In a different, alien shape.
Their inverses never hold
Much more than a breezy cape.
As my eyes flutter in perplex
To make sense of all these subjects,
All that shifts here is their pose.
The leaves retain their stiff aplomb,
But darkness quivers on my palm,
As I stir little on the lawn.
In this vantage that I chose,
I learn lessons from the dawn.
Unpublished Material, ©2011 Cali Digre
~CD
Parables of Dawn (Part I) (June 9, 2010)
The truth is gold, but not in touch,
For all the leaves are painted such.
Their beauty is not such a thing
That calls for trite perfection.
Rather, in the clear reflection,
Perfect sight of all their flaws,
Thought-birds ‘round my iris fling,
Mumbling all about the laws.
And yet the sun illuminates
These concrete little flutter-fates,
So that I see their cellulose
In all their mold and wear.
I ask, “What leaves did once hang there
Before the breeze whisked them apart,
In conduct less than grandiose,
With little whim, and little heart?”
What matters is not where they lie
But how they do bask in the sky,
Whirling by the eyes of Gold.
Their shadows crawl along the grass,
Though they themselves don’t ever pass
In a different, alien shape.
Their inverses never hold
Much more than a breezy cape.
As my eyes flutter in perplex
To make sense of all these subjects,
All that shifts here is their pose.
The leaves retain their stiff aplomb,
But darkness quivers on my palm,
As I stir little on the lawn.
In this vantage that I chose,
I learn lessons from the dawn.
Unpublished Material, ©2011 Cali Digre
Tuesday, November 16, 2010
Late Autumn Leaf
Oh, how she bleeds anticipation
As she autumns on the limbs
Of some long-dormant oak nation,
The last standing in her formation,
The last one left to play wind hymns,
The last one left to lecherous whims.
And yet the wait makes her anemic,
She grows impatient for the fall.
She claims foul play, one left ischemic.
No words are left, yet her phonemic.
But had she missed November’s call?
And when she slips, will that be all?
She had so pined to all withstand
The blusters that dark autumn makes.
She cups the new frost in her hand,
As if it’s there to reprimand,
To weigh her down until she shakes,
A slice or drop is all it takes.
But then, why has this fall been kind?
The vents are gentle, their breathing still.
And when at last she doesn’t mind,
Her path is slowly down inclined.
She sleeps upon the windowsill.
She sleeps wherever the wind will.
Unpublished Material, © 2010 Cali Digre
As she autumns on the limbs
Of some long-dormant oak nation,
The last standing in her formation,
The last one left to play wind hymns,
The last one left to lecherous whims.
And yet the wait makes her anemic,
She grows impatient for the fall.
She claims foul play, one left ischemic.
No words are left, yet her phonemic.
But had she missed November’s call?
And when she slips, will that be all?
She had so pined to all withstand
The blusters that dark autumn makes.
She cups the new frost in her hand,
As if it’s there to reprimand,
To weigh her down until she shakes,
A slice or drop is all it takes.
But then, why has this fall been kind?
The vents are gentle, their breathing still.
And when at last she doesn’t mind,
Her path is slowly down inclined.
She sleeps upon the windowsill.
She sleeps wherever the wind will.
Unpublished Material, © 2010 Cali Digre
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